Case Study

When ESG Becomes an Experience

A visual-led campaign to present our ESG vision through exhibition design, digital visuals, and partner recognition.

Visual Design,

Spatial Presentation

Anders brand wordmark in white placed on top of an image of a modern interior design.

OverView & Role

I was responsible for the development of the overall theme and narrative of the campaign, the creation of the visual identity system, and the design of all promotional assets—ranging from digital screens to print materials and spatial graphics.

Anders brand wordmark in white placed on top of an image of a modern interior design.

Live Photo. Copyright: Huayang Song

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

Color System –

Visualizing ESG Pillars

The visual identity uses a three-color system, each representing one of the ESG pillars:

  • Green for Environment – Sustainability, climate action, ecological responsibility
  • Yellow for Social – Equity, inclusion, human impact
  • Blue for Governance – Transparency, ethics, accountability

The color scheme guides users through different sections of the exhibition and digital platform, providing intuitive, non-verbal orientation while reinforcing our core values.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.
Anders brand wordmark in white placed on top of an image of a modern interior design.

Design Rationale –

Exhibition Backdrop

The exhibition board was one of the most important visual elements of the campaign. I initially proposed a layered canvas structure to create depth and visual interest. However, after presenting the concept to leadership, the feedback highlighted concerns about stability and formality.

While the multi-layered version offered a more contemporary feel—potentially appealing to younger audiences or more lightweight events—it became clear that a more grounded, traditional backdrop would better suit the presence of high-profile guests and group appearances.

This shift reflects how visual design must not only innovate but also adapt to the context, audience, and tone of the occasion.

As a playful nod to the Year of the Rabbit, I created a small ESG-themed mascot—a bunny character embodying agility, care, and growth. It was used across select campaign merch and digital badges, adding a light-hearted yet memorable element to the otherwise formal ESG theme.

 

All merchandise items were produced using recycled materials, including tote bags and T-shirts made from repurposed plastic bottles.

Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.
Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

recycled PET plastic bag and shirts

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.

Refelction

This project challenged me to adapt visual ideas to real-world contexts. From reworking the exhibition backdrop to suit a more formal audience, to designing sustainable merchandise and a playful mascot, I learned how to balance creativity, brand tone, and practicality—while staying true to the campaign’s ESG vision.

Live Photo. Photographer: Huayang Song

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Other Projects

Graphic depicting a mountain peak at sunset cropped in a circle with the words RANGE CRAZY above and below.

Corporate Apple B2E E-commerce Platform

Emblem design for Madame FC depicting an M monogram in a circle with the words "Madame FC EST. 2003" inside on top of a background image of a soccer stadium.

Yangzheng Kindergarten Love Tuition

Stylized blue and pink image of a whiskey glass with the wordmark of Vèloce in pink all-caps letters above.

Sculpture: Is it still (Artwork)

Icons

0→1 product launches start here.

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CONTACT

+44 750 8790 852

hiroshitwi@gmail.com

SOCIAL

Instagram

Dribbble

LinkedIn

Icons

If you are interested in art, I also make some sculpture & moving image. Here’s my art page.

Case Study

When ESG Becomes an Experience

A visual-led campaign to present our ESG vision through exhibition design, digital visuals, and partner recognition.

Visual Design,

Spatial Presentation

Anders brand wordmark in white placed on top of an image of a modern interior design.

OverView & Role

I was responsible for the development of the overall theme and narrative of the campaign, the creation of the visual identity system, and the design of all promotional assets—ranging from digital screens to print materials and spatial graphics.

Anders brand wordmark in white placed on top of an image of a modern interior design.

Live Photo. Copyright: Huayang Song

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

Color System –

Visualizing ESG Pillars

The visual identity uses a three-color system, each representing one of the ESG pillars:

  • Green for Environment – Sustainability, climate action, ecological responsibility
  • Yellow for Social – Equity, inclusion, human impact
  • Blue for Governance – Transparency, ethics, accountability

The color scheme guides users through different sections of the exhibition and digital platform, providing intuitive, non-verbal orientation while reinforcing our core values.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.

Design Rationale –

Exhibition Backdrop

The exhibition board was one of the most important visual elements of the campaign. I initially proposed a layered canvas structure to create depth and visual interest. However, after presenting the concept to leadership, the feedback highlighted concerns about stability and formality.

While the multi-layered version offered a more contemporary feel—potentially appealing to younger audiences or more lightweight events—it became clear that a more grounded, traditional backdrop would better suit the presence of high-profile guests and group appearances.

This shift reflects how visual design must not only innovate but also adapt to the context, audience, and tone of the occasion.

Anders brand wordmark in white placed on top of an image of a modern interior design.

As a playful nod to the Year of the Rabbit, I created a small ESG-themed mascot—a bunny character embodying agility, care, and growth. It was used across select campaign merch and digital badges, adding a light-hearted yet memorable element to the otherwise formal ESG theme.

 

All merchandise items were produced using recycled materials, including tote bags and T-shirts made from repurposed plastic bottles.

Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.
Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

recycled PET plastic bag and shirts

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.

Refelction

This project challenged me to adapt visual ideas to real-world contexts. From reworking the exhibition backdrop to suit a more formal audience, to designing sustainable merchandise and a playful mascot, I learned how to balance creativity, brand tone, and practicality—while staying true to the campaign’s ESG vision.

Live Photo. Photographer: Huayang Song

Icons

Other Projects

Icons

0→1 product launches start here.

Icons

CONTACT

+44 750 8790 852

hiroshitwi@gmail.com

SOCIAL

Instagram

Dribbble

LinkedIn

Icons

If you are interested in art, I also make some sculpture & moving image.

here is my art page

 

Case Study

When ESG Becomes an Experience

A visual-led campaign to present our ESG vision through exhibition design, digital visuals, and partner recognition.

Visual Design,

Spatial Presentation

Anders brand wordmark in white placed on top of an image of a modern interior design.

OverView & Role

I was responsible for the development of the overall theme and narrative of the campaign, the creation of the visual identity system, and the design of all promotional assets—ranging from digital screens to print materials and spatial graphics.

Anders brand wordmark in white placed on top of an image of a modern interior design.

Live Photo. Copyright: Huayang Song

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

Color System –

Visualizing ESG Pillars

The visual identity uses a three-color system, each representing one of the ESG pillars:

  • Green for Environment – Sustainability, climate action, ecological responsibility
  • Yellow for Social – Equity, inclusion, human impact
  • Blue for Governance – Transparency, ethics, accountability

The color scheme guides users through different sections of the exhibition and digital platform, providing intuitive, non-verbal orientation while reinforcing our core values.

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.

Design Rationale –

Exhibition Backdrop

The exhibition board was one of the most important visual elements of the campaign. I initially proposed a layered canvas structure to create depth and visual interest. However, after presenting the concept to leadership, the feedback highlighted concerns about stability and formality.

While the multi-layered version offered a more contemporary feel—potentially appealing to younger audiences or more lightweight events—it became clear that a more grounded, traditional backdrop would better suit the presence of high-profile guests and group appearances.

This shift reflects how visual design must not only innovate but also adapt to the context, audience, and tone of the occasion.

Anders brand wordmark in white placed on top of an image of a modern interior design.

Research & Insights

ーContent Prioritization

As a playful nod to the Year of the Rabbit, I created a small ESG-themed mascot—a bunny character embodying agility, care, and growth. It was used across select campaign merch and digital badges, adding a light-hearted yet memorable element to the otherwise formal ESG theme.

 

All merchandise items were produced using recycled materials, including tote bags and T-shirts made from repurposed plastic bottles.

Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.
Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.

recycled PET plastic bag and shirts

Graphic depicting a color palette of Stone Brown, Dark Navy, Beige, and Cream White along with corresponding hex color codes.
Graphic of a close up of a website depicting an Our Projects page with sample project names and dates.

Refelction

This project challenged me to adapt visual ideas to real-world contexts. From reworking the exhibition backdrop to suit a more formal audience, to designing sustainable merchandise and a playful mascot, I learned how to balance creativity, brand tone, and practicality—while staying true to the campaign’s ESG vision.

Live Photo. Photographer: Huayang Song

Icons

Other Projects

Icons

0→1 product launches start here.

Icons

CONTACT

+44 750 8790 852

hiroshitwi@gmail.com

SOCIAL

Instagram

Dribbble

LinkedIn

Icons

If you are interested in art, I also make some sculpture & moving image. Here’s my art page